Thomas Lehmen
Fellow
Thomas Lehmen is a freelance choreographer, dancer, performer, and teacher. He studied at the School for New Dance Development in Amsterdam from 1986 to 1990, after which he lived in Berlin for twenty years. There he developed numerous solo and group projects, including “distanzlos,” “mono subjects,” “Schreibstück,” “Funktionen,” “It’s better to...,” and “Lehmen lernt.”
He has been working in North Rhine-Westphalia since 2011, where he produced the works “Schrottplatz” and “Bitte...,” among others. Since 2013 he has been touring the world with his current project, “A Piece for You.” His enduring interests include communication, and the human being who sees him/herself reflected in the environment and actively influences it through creative relations. His approaches often reveal linguistic elements within conceptional methods and expressions. In his dance, he often explores individual articulations of a technical aspect, and the interrelation of dancers and danced dialogues. He organizes international workshops, has taught at numerous universities across the world, and has held guest professorships in Hamburg, Gießen, and Berlin. He also taught at the dance department of Arizona State University for several years. His teaching focuses on the above-mentioned themes as well as on choreographic systems that encourage individual artistic compositions within social contexts.
THIS AUTHOR WROTE
April 20, 2017
In this interview, IRC-Fellow Thomas Lehmen speaks about his work as a dancer, performer, and teacher. Giving a brief insight on his artistic education, Lehmen elaborates on how his theoretical background with Luhmann’s system theory influences his approach to creating works and collaborating with the artists and participants of his projects. His emphasis on a collective creation process becomes clearer when speaking about his latest project “A Piece for You”, that creates a particular interwovenness between performers and audience. Lehmen speaks about the structure of his project and the reactions to it and shares his understanding about the act of performances and creation.