, May 10, 2016
RGough_Textures In this interview, IRC-fellow Richard Gough, Artistic Director of the Center for Performance Research (CPR), Professor of Performance Research and editor, speaks about his central working interest and research project, “Devouring Theater: After Taste”, on food in performances and food as performing art. He explains the importance of the concept of “interweaving” for his work and the impact of his fellowship on his research. read more
, April 26, 2016
Johanna Devi "Empty yourself of everything.
Let the mind rest at peace."

Dance artist and IRC-Fellow Johanna Devi shares a wonderful poem from Lao Tzu's collection The Tao Te Ching with us, explaining its importance to her and how it relates to her work. read more
, April 19, 2016
In her second article on Textures the Egyptian writer, performer and director Nora Amin, who is currently IRC-Fellow at the Center, develops her thoughts on the relation of torture and performance and its impact on the Egyptian society as well as on the Egyptian (performing) arts. read more
, March 16, 2016
Nora_VideoInterview In this interview, IRC-Fellow Nora Amin, a writer, performer, choreographer, theater director and educator from Egypt, discusses her reasons for creating "La Musica Independent Theatre Group." After the short overview of her theater experience, the interview focuses on her switch in interest from a more traditional theater to street theater and theater as a clear form of activism. In this context, she talks about her involvement with the first production of An Enemy of the People in Arabic language and her research project on her experience in producing a play during politically turbulent times. Her research focuses on the intersection between the culture of performance and the culture of protest. read more
, March 9, 2016
Narges In this interview, IRC-Fellow Narges Hashempour, Iranian scholar, actress, director, writer, curator and dramaturge, talks about her connection to German theater and her first works as a director in Germany, introducing her comprehensive theater project Unwritten Whisper. She speaks about the role of women artists in Iran and the issues of gender in her own work. Explaining her motivation to expand her artistic work by a more academic dimension, she discusses the themes of her ph.d.-thesis on Iranian theater culture and gender performance. Pointing out the challenges caused by the mixing of her academic and her artistic work and by her cultural background, Narges Hashempour gives a thoughtful and differentiated insight into Iranian culture characterizing it as living "in-betweenness". read more
, February 2, 2016
Nora_Book Cover_Credits Kopie "The main loss in this situation is a loss of human communication and of identity. A loss of human behavior."

Nora Amin, current IRC-Fellow, states this about the rapes that took place on Tahrir Square five years ago. The following essay relentlessly describes those attacks on women and the Egyptian state - a political statement on the sexism and racism as "two sides of the same coin". read more

, January 20, 2016
Poulton_Neusw In this interview, IRC-Fellow Cody Poulton, Professor of Japanese literature and theater in the Department of Pacific and Asian Studies at the University of Victoria, Canada, talks about his interests in and current research on drama and theater in Japan. After giving a short overview on the development of his research in the past twenty years, Poulton describes the scope and aims of his current research project in Berlin, which investigates how humanity’s place in the world is conceived of and represented in contemporary theater and performance in Japan. read more
, January 12, 2016
Screen Shot 2016-01-12 at 18.26.32 In this interview, Shen Lin, the Chinese Professor for Theater Studies, Deputy Head of Research at the Central Academy of Drama in Beijing, Chief Editor of The Drama Journal, writer and translator, is introducing his research project "The Formal and the Political in Modern and Contemporary Chinese Performances.“ Shen Lin speaks about the dominant role of Shakespeare as a global theater figure, as well as – in a very personal manner – about his own project’s connection to the Center’s fields of research. En passent, he gives important insights into his work as a cultural consultant for China’s leading performance organizations. Surprisingly clearly, he finally discusses the question of how "political" theater can be in China... read more
, December 17, 2015
As of October 2015, the Research Center hosts four visiting doctoral candidates from India: Dwaipayan Chowdhury, Ankush Gupta, Anirban Kumar (all three from New Delhi) and Supriya Shukla (Hyderabad), all of whom will stay in Berlin for twelve months. The new initiative was launched in close collaboration with their home universities, the School of Arts [...] read more
, July 8, 2015
osofisan_textures_thumb In this interview, the dramatist, researcher, and theatre director Femi Osofisan, a fellow at the center since 2012, explains how colonialism shaped his conception of ‘theatre’ during his childhood and how he became aware of the political, ethical, and moral dimensions of performance and theatre while studying in France in the 1970s. Osofisan also shares his rich experience as a political dramatist and theatre director who has been working around the globe for more than 30 years, practicing ‘interweaving’ as an aesthetic strategy for addressing current social and political problems in Nigeria and many other places where he has staged his fascinating work—including the U.S., the U.K., China, and Germany. read more